The Gulag Archipelago [Volume 1]: An Experiment in Literary Investigation

by Aleksandr Solzhenitsyn

Spread out on a large table the enormous map of our Motherland. Indicate with fat black dots all provincial capitals, all railroad junctions, all transfer points where the railroad line ends in a river route, and where rivers bend and trails begin. What is this? Has the entire map been speckled by infectious flies? What it is, in fact, is precisely the majestic map of the ports of the Archipelago. These are not, to be sure, the enchanted ports to which Aleksandr Grin enticed us, where rum is drunk in taverns and men pay court to beautiful women. It is a rare zek who has not known from three to five transit prisons and camps; many remember a dozen or so, and the sons of Gulag can count up to fifty of them without the slightest difficulty. However, in memory they get all mixed up together because they are so similar: in the illiteracy of their convoys, in their inept roll calls based on case files; the long waiting under the beating sun or autumn drizzle; the still longer body searches that involve undressing completely; their haircuts with unsanitary clippers; their cold, slippery baths; their foul-smelling toilets; their damp and moldy corridors; their perpetually crowded, nearly always dark, wet cells; the warmth of human flesh flanking you on the floor or on the board bunks; the bumpy ridges of bunk heads knocked together from boards; the wet, almost liquid, bread; the gruel cooked from what seems to be silage.