The Gulag Archipelago [Volume 1]: An Experiment in Literary Investigation

by Aleksandr Solzhenitsyn

All of a sudden they introduce into the cell some kind of miracle: a tall young military man with a Roman profile, curly and unclipped flaxen locks, in a British uniform—just as if he had come straight from the Normandy landing, an officer of the invading army. He enters as proudly as if he expected everyone to rise to their feet in his presence. And it turns out that he had simply not expected to be among friends at this point: he had already been imprisoned for two years, but he had never yet been in a cell and he had been brought secretly, right to the transit prison itself, in an individual Stolypin compartment. And then, unexpectedly, either by mistake or else with special intent, he had been admitted to our common stable. He looked around the cell, saw a Wehrmacht officer there in German uniform, and started to argue with him in German; and there they were arguing heatedly, ready, it seemed, to resort to weapons if they’d had any. Five years had passed since the war, and it had been drummed into us that in the West the war had been waged only for the sake of appearances, and to us it was strange to observe their mutual outrage: the German had been with us for a long time, and we Russians hadn’t argued with him; for the most part we had laughed with him.