His Master's Voice

by Stanisław Lem

The Project constituted a precedent in which, like those Russian wooden dolls-within-dolls, sat other precedents, and primarily this: that never before had physicists, engineers, chemists, nucleonicists, biologists, or information theorists held in their hands an object of research that represented not only a certain material—hence natural—puzzle, but which had been intentionally made by Someone and transmitted, and where the intent must have taken into account the potential addressee. Because scientists learn to conduct so-called games with nature, with a nature that is not—from any permissible point of view—a personal antagonist, they are unable to countenance the possibility that behind the object of investigation there indeed stands a Someone, and that to become familiar with that object will be possible only insofar as one draws near, through reasoning, to its completely anonymous creator. Therefore, though they supposedly knew and freely admitted that the Sender was a reality, their whole life’s training, the whole acquired expertise of their respective fields, worked against that knowledge.

Ties to Jakobsen's analysis