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I had not understood until then how humiliated my mother had felt by her life. The simple dignity of a “desk job,” as she called it, had transformed her. I should have said it again, that her embroidery was more special than any “desk job” could be; that she was an artist; that Western images of professional women don’t have to apply to us; that concepts of respectability and modernity are manufactured.
Against the Loveless World
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