Caste: The Origins of Our Discontents

by Isabel Wilkerson

Lynchings were part carnival, part torture chamber, and attracted thousands of onlookers who collectively became accomplices to public sadism. Photographers were tipped off in advance and installed portable printing presses at the lynching sites to sell to lynchers and onlookers like photographers at a prom. They made postcards out of the gelatin prints for people to send to their loved ones. People mailed postcards of the severed, half-burned head of Will James atop a pole in Cairo, Illinois, in 1907. They sent postcards of burned torsos that looked like the petrified victims of Vesuvius, only these horrors had come at the hands of human beings in modern times. Some people framed the lynching photographs with locks of the victim’s hair under glass if they had been able to secure any. One spectator wrote on the back of his postcard from Waco, Texas, in 1916: “This is the Barbecue we had last night my picture is to the left with the cross over it your son Joe.”