Jonathan

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Not for one moment were her features in repose; now she looked to the left, now to the right, now she leaned back as though exhausted; and she spoke as nervily as she moved in jerky, staccato tones, without pausing for breath. Perhaps, I thought to myself, this lack of restraint, this restlessness, is a compensation for the enforced immobility of her legs; perhaps, too, the result of a perpetual state of semi-fever, which quickens the tempo of her gestures and her speech.
Beware of Pity (Woolf Haus Classics)
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