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Moly and spite a woman make, May every man his true form take. A spell for swine, requiring wine & wicked intent
But his eyes are not playing tricks. On the plinth where Saint George once stood, proud and princely, there is now something lumpen and squat, vaguely shameful: a bronze pig, bearing a brand of three circles woven together.
What was lost has been found. Even the stars are not the stars I knew as a girl. Come soonest, my love. If we burn, let us burn together, S. Good
Where Tituba and Osborne and Good and the rest of them had worked their wonders and terrors, walking the streets with black beasts at their heels. Where men feared to tread and women feared nothing at all.
“Surely trust is never truly broken, but merely lost.” Beatrice’s lips twist. “And what is lost, that can’t be found?”
Fee and fie, fum and foe, Green and gold, see them grow! A spell for growth, requiring buried seeds & fool’s gold
Mr. August S. Lee
Grace grew up in the Home for Lost Angels—the orphanage,” she clarifies, in response to Juniper’s blank stare, “before she was adopted at sixteen by an older gentleman who had no heirs and a generous inheritance from an uncle. A gentleman who is now a member of the City Council.”
Ferrum rubigine, pernay o chronoss. A spell to rust, requiring salt, spit, & considerable patience
It’s Gertrude Bonnin, the clay-colored woman from one of the Dakotas.
“Look, you should know before you get your heart broke: Miss Cleopatra has… other interests, and they will always come first.”
Intery, mintery, cutery-corn, Apple seed and apple thorn; Feather fine, five-fold Turn it all to gold. A spell for a golden apple, requiring five feathers & pricked thumb
May she snatch me through the doors of Hell And take me down with her to dwell. A spell for opening certain doors, requiring stars & scars
“the Underground Railroad, of course.”
“The Daughters of Tituba.”
She decides she doesn’t care, that maybe trust is neither lost nor found, broken nor mended, but merely given.
It occurs to Beatrice for the first time that there’s a certain power in being nothing; she thinks of that old tale where the clever Crone tells a man her name is Nobody, and when asked who cursed him the man cries, “Nobody!” while the witch escapes.
“Men stop seeing you altogether, after a certain age.”
THE TALE OF THE WITCH WHO SPUN STRAW INTO SILVER
Mirror, mirror, on the wall, Tell the truth, reveal all. A spell to see, requiring a mirror & a borrowed belonging
Mr. Blackwell nods genially at his own knuckles. “As a man of God I disapprove, but as a mere man, well… I wonder sometimes where the first witch came from. If perhaps Adam deserved Eve’s curse.” His smile twists. “If behind every witch is a woman wronged.”
The chill quadruples. “They didn’t,” she says again. “Because if they did, their own tongue would’ve split in two as the words left their lips, and the whole city would know them for the snake they are.”
But she should have known no man ever loved a woman’s strength—they only love the place where it runs out. They love a strong will finally broken, a straight spine bent.
Hark, hark, The dogs do bark, When witches come to town. A spell to raise the alarm, requiring a gnawed bone & a strong whistle
Blood, milk, and tears.
The wayward sisters, hand in hand, Burned and bound, our stolen crown, But what is lost, that can’t be found?
Cauldron bubble, toil and trouble, Weave a circle round the throne, Maiden, mother, and crone.
A spell to find what has been lost, requiring maiden’s blood, mother’s milk, crone’s tears & a fierce will
Or perhaps for all of them: for the little girls thrown in cellars and the grown women sent to workhouses, the mothers who shouldn’t have died and the witches who shouldn’t have burned. For all the women punished merely for wanting what they shouldn’t have.
They came back for me. She feels something snap in her chest, as if her heart is a broken bone poorly set, which has to break again before it can heal right.
One for sorrow, Two for mirth, Three for a funeral, And four for birth, Five for life, Six for death, Seven to find a merry wife. A spell for healing, requiring willow bark & silkweed
Witchcraft itself wearing an animal-skin, Mags used to say.
The Lost Way of Avalon isn’t a miracle or a magical relic or a fanciful artifact. It’s merely the truth, written and bound, preserved against time and malice. It’s— “A library,” Quinn breathes.
Bella steps into a sliver of moonlight as she opens it, sees the lost words and forgotten ways preserved in a thousand tidy lines of ink. Witchcraft, pure as dragon’s blood and bright as stardust, unspoken for centuries.

