Returning to the idea of a story as a process for the transfer of energy: in a good story, the writer makes energy in a beat, then transfers this energy cleanly to the next one (the energy is “conserved”). She does this by being aware of the nature of the energy she’s made. In a bad story (or an early draft), the writer doesn’t fully understand the nature of the energy she’s made, and ignores or misuses it, and it dissipates. The preferred, most efficient, highest-order form of energy transfer (the premier way for a scene to advance the story in a non-trivial way) is for a beat to cause the
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