So, five shifts of vantage point in three paragraphs: (1) the objective truth (via our omniscient narrator), (2) Vasili’s public stance (via his speech to Nikita), (3) Vasili’s private stance (via his thoughts), (4) Nikita’s public stance (via his speech to Vasili), and (5) Nikita’s private stance (via his thoughts). Processing this number of shifts normally requires some extra effort on the part of the reader—a sort of fee gets charged in readerly attention. But here we barely notice, charmed by Tolstoy’s “fundamental accuracy of perception.” When we go into a character’s mind, what we find
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