A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life

by George Saunders

The instant we wake the story begins: “Here I am. In my bed. Hard worker, good dad, decent husband, a guy who always tries his best. Jeez, my back hurts. Probably from the stupid gym.” And just like that, with our thoughts, the world gets made. Or, anyway, a world gets made. This world-making via thinking is natural, sane, Darwinian: we do it to survive. Is there harm in it? Well, yes, because we think in the same way that we hear or see: within a narrow, survival-enhancing range. We don’t see or hear all that might be seen or heard but only that which is helpful for us to see and hear. Our thoughts are similarly restricted and have a similarly narrow purpose: to help the thinker thrive. All of this limited thinking has an unfortunate by-product: ego. Who is trying to survive? “I” am. The mind takes a vast unitary wholeness (the universe), selects one tiny segment of it (me), and starts narrating from that point of view. Just like that, that entity (George!) becomes real, and he is (surprise, surprise) located at the exact center of the universe, and everything is happening in his movie, so to speak; it is all, somehow, both for and about him. In this way, moral judgment arises: what is good for George is…good. What is bad for him is bad. (The bear is neither good nor bad until, looking hungry, it starts walking toward George.) So, in every instant, a delusional gulf gets created between things as we think they are and things as they actually are. Off we go, mistaking the ...

Great description of self

And look at that: the more I know about her, the less inclined I feel to pass a too-harsh or premature judgment. Some essential mercy in me has been switched on. What God has going for Him that we don’t is infinite information. Maybe that’s why He’s able to, supposedly, love us so much.

I've often thought about this but not in relation to fiction: the writer as 'God' providing perfect information on the character to make them loveable despite their flaws. In this way the writer can foment connection to people (characters) beyond what could usually be achieved in every day life. Another testament to the power of fiction.