The more dangerous the real self, the more refined the masks. The more caustic the poison we would like to spew over others—to paralyze them, to kill them—the sweeter the nectar with which we lure them toward us, to be near us, to love us.
Memory is literary by nature. It takes factual events and gives them a metaphorical charge, lending what really happened a symbolic weight, persistently in search of the security of a story. For
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