Dead Man's Walk

by Larry McMurtry

“You’re too damn contrary,” Gus said. “I’ve never known a person more apt to take the opposite view than you—you’re too damn gripy.” “I expect I’ve spent too much time with mules,” Call said.

Gus was transfixed; he liked singing, himself, and could bawl out a tune with the best of them when he was drunk; but what he heard that day, as the bodies of his comrades were waiting to be loaded into an oxcart, was like no singing he had ever heard, like none he would ever hear again. The lady in black gripped the railing of the balcony as she sang. As she was finishing her song, the notes dipped down low—they carried a sadness that was more than a sadness at the death of men; rather it was a sadness at the lives of men, and of women. It reminded those who heard the rising, dipping notes, of notes of hopes that had been born, and, yet, died; of promise, and the failure of promise. Gus began to cry; he didn’t know why, but he couldn’t stop, not while the song continued. Then, after one long, low tone that seemed to hang soft as the daylight, the lady in black ended her requiem. She stood for a moment, gripping the railing of the balcony; then she turned, and disappeared.