Ellie felt the deceleration before she could see it, as if they had been on the downslope of a roller coaster, had leveled out, and now were slowly climbing. Just before the deceleration set in, the tunnel had made a complex sequence of bobs and weaves. There was no perceptible change either in the color or in the brightness of the surrounding light. She picked up her camera, switched to the long-focal-length lens, and looked as far ahead of her as she could. She could see only to the next jag in the tortuous path. Magnified, the texture of the wall seemed intricate, irregular, and, just for a
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