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Our job, then, is to find the sacred flaw in our protagonist. Once we’ve found it, we need to build a life and a self around this person. We need to work out what effect this flaw has had on them. What ramifications has it had for their family life, their romantic life and their working life? What benefits has adherence to this flaw brought them? And what costs? By doing so, an entire world can be conjured around this tiny flaw. This will be the world of our story.
The Science of Storytelling
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