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‘Historically, the bird has been represented as a symbol of greed, bad luck and evil.’”
I don’t feel like I have much choice. Jules is good at making you feel that.
As we draw closer I realize that the strange, upright forms seem to be grave markers. And what looked like large bulbous heads are crosses, Celtic ones, the round circle enclosing the even-sided cross.
“Got to send them off with a bang.” “Yeah, we should do something. Would only be traditional …” I’m half-tempted to stay and listen, to check they aren’t plotting mayhem on my watch. But it sounds harmless. And I’ve only got this brief window of time to myself.
“Maybe I’ve seen you in one of Jules’s photos, then. You seem familiar.” “Maybe,” I say. I don’t think so. I can’t imagine Jules displaying a photo that includes me; she’s got plenty of just her and Charlie. But I know what Will’s doing: helping me feel welcome, one of the gang. I appreciate the kindness.
And there’s something a bit weird about Johnno’s eyes. I spend a while trying to work out exactly what’s off about them. Are they too close together? Too small?
“It was a prank we used to play on the younger boys at school. We’d go down via the cliff path and collect seaweed on the beaches—as much as we could carry. Then we’d hide it in their beds. So my guess is Johnno or Duncan—possibly all of the guys. They probably thought it was funny.”
“Oh yes,” Mr. Slater continues, unfazed by my silence. “I know. You think that simply because it wasn’t reported you’d got away with it? It would have been a disgrace on the school, on my name, if it had got out.” “No,” I say, “I dunno what you’re talking about.” But what I think is: You don’t know the half of it. Or maybe you do and you’ve got an even better poker face than I realized.