Lloyd Fassett

57%
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It moves too fast for comprehension, evoking, in pace, sound, and color, the figurative, a state of mind, Gittes’s state of mind, his Chinatown past, now his Chinatown present, creating a temporal Sisyphean circle that implies the fruitless persistence of return, emotional incarceration, the failure to mitigate incomprehensible trauma.
The Big Goodbye: Chinatown and the Last Years of Hollywood
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