For Evans it was more than moonlight and ocean winds and Gatsby’s green flare across the bay; it was not fantasy but palpable evidence of a dream becoming true, the rare and shivery threshold of immeasurable pleasure, the promise imagination grants the mundane, and the mountain stream through which beauty and goodness, against all probability and reason, flow down into the world as art. It was, out of the darkness, a faith. Like Polanski’s crane, a lift, redemption, grace. True or false, it didn’t matter; as long as it was felt once, it could be felt again. Hearing that music for the first
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