Peter Bradley

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That particular lesson we have learned so well that it can be hard to remember that it had to be learned. Which can take the steam out of a performance today of A Doll’s House: yes, yes, we think, of course Nora is right to declare her independence. What was in its time a drama of profound tension can become in our own a mere melodrama, in which we already know who to root for.
Breaking Bread with the Dead: A Reader's Guide to a More Tranquil Mind
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