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“We’re in fantastic shape here,” Alan Berger, of Creative Artists Agency—CAA—was saying. The San Andreas fault could split open and Los Angeles could slip right into the Pacific and agents would still be running around reassuring clients how fantastic everything was. “Your Nightly story about the prisons. Phew!” Berger continued. He had a warm, avuncular voice, with an accent that knew its way around the Long Island Expressway. He was regarded in the business as a steady dealmaker.
Catch and Kill: Lies, Spies, and a Conspiracy to Protect Predators
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