Three Men in a Boat

by Jerome K. Jerome

Neither spoke; but the conversation that one could imagine was clearly as follows:— THE CAT: “Can I do anything for you?” MONTMORENCY: “No—no, thanks.” THE CAT: “Don’t you mind speaking, if you really want anything, you know.” MONTMORENCY (backing down the High Street): “Oh, no—not at all—certainly—don’t you trouble. I—I am afraid I’ve made a mistake. I thought I knew you. Sorry I disturbed you.” THE CAT: “Not at all—quite a pleasure. Sure you don’t want anything, now?” MONTMORENCY (still backing): “Not at all, thanks—not at all—very kind of you. Good morning.” THE CAT: “Good-morning.” Then the cat rose, and continued his trot; and Montmorency, fitting what he calls his tail carefully into its groove, came back to us, and took up an unimportant position in the rear.

has the knack of rousing every evil instinct in my nature, and I yearn for the good old days, when you could go about and tell people what you thought of them with a hatchet and a bow and arrows.

We got some from a cottage a little higher up. I daresay that was only river water, if we had known. But we did not know, so it was all right. What the eye does not see, the stomach does not get upset over.

It is a part of the river in which to dream of bygone days, and vanished forms and faces, and things that might have been, but are not, confound them.

Montmorency had a fight with the kettle during tea-time, and came off a poor second. Throughout the trip, he had manifested great curiosity concerning the kettle. He would sit and watch it, as it boiled, with a puzzled expression, and would try and rouse it every now and then by growling at it. When it began to splutter and steam, he regarded it as a challenge, and would want to fight it, only, at that precise moment, some one would always dash up and bear off his prey before he could get at it. To-day he determined he would be beforehand. At the first sound the kettle made, he rose, growling, and advanced towards it in a threatening attitude. It was only a little kettle, but it was full of pluck, and it up and spit at him. “Ah! would ye!” growled Montmorency, showing his teeth; “I’ll teach ye to cheek a hard-working, respectable dog; ye miserable, long-nosed, dirty-looking scoundrel, ye. Come on!” And he rushed at that poor little kettle, and seized it by the spout.

Then, across the evening stillness, broke a blood-curdling yelp, and Montmorency left the boat, and did a constitutional three times round the island at the rate of thirty-five miles an hour, stopping every now and then to bury his nose in a bit of cool mud. From that day Montmorency regarded the kettle with a mixture of awe, suspicion, and hate. Whenever he saw it he would growl and back at a rapid rate, with his tail shut down, and the moment it was put upon the stove he would promptly climb out of the boat, and sit on the bank, till the whole tea business was over.

George has never learned to play the banjo to this day. He has had too much all-round discouragement to meet. He tried on two or three evenings, while we were up the river, to get a little practice, but it was never a success.

Montmorency would sit and howl steadily, right through the performance. It was not giving the man a fair chance. “What’s he want to howl like that for when I’m playing?” George would exclaim indignantly, while taking aim at him with a boot. “What do you want to play like that for when he is howling?” Harris would retort, catching the boot. “You let him alone. He can’t help howling. He’s got a musical ear, and your playing makes him howl.”

It always does seem to me that I am doing more work than I should do. It is not that I object to the work, mind you; I like work: it fascinates me. I can sit and look at it for hours. I love to keep it by me: the idea of getting rid of it nearly breaks my heart. You cannot give me too much work; to accumulate work has almost become a passion with me: my study is so full of it now, that there is hardly an inch of room for any more. I shall have to throw out a wing soon.

And I am careful of my work, too. Why, some of the work that I have by me now has been in my possession for years and years, and there isn’t a finger-mark on it. I take a great pride in my work; I take it down now and then and dust it. No man keeps his work in a better state of preservation than I do. But, though I crave for work, I still like to be fair. I do not ask for more than my proper share.

George says he does not think I need trouble myself on the subject. He thinks it is only my over-scrupulous nature that makes me fear I am having more than my due; and that, as a matter of fact, I don’t have half as much as I ought. But I expect he only says this to comfort me.

Sailing is a thing that wants knowledge and practice too—though, as a boy, I did not think so. I had an idea it came natural to a body, like rounders and touch.

Left to fight the world alone, with the millstone of her shame around her neck, she had sunk ever lower and lower. For a while she had kept both herself and the child on the twelve shillings a week that twelve hours’ drudgery a day procured her, paying six shillings out of it for the child, and keeping her own body and soul together on the remainder.

Six shillings a week does not keep body and soul together very unitedly. They want to get away from each other when there is only such a very slight bond as that between them; and one day, I suppose, the pain and the dull monotony of it all had stood before her eyes plainer than usual, and the mocking spectre had frightened her. She had made one last appeal to friends, but, against the chill wall of their respectability, the voice of the erring outcast fell unheeded; and then she had gone to see her child—had held it in her arms and kissed it, in a weary, dull sort of way, and without betraying any particular emotion of any kind, and had left it, after putting into its hand a penny box of chocolate she had bought it, and afterwards, with her last few shillings, had taken a ticket and come down to Goring.

It seemed that the bitterest thoughts of her life must have centred about the wooded reaches and the bright green meadows around Goring; but women strangely hug the knife that stabs them, and, perhaps, amidst the gall, there may have mingled also sunny memories of sweetest hours, spent upon those shadowed deeps over which the great trees bend their branches down so low. She had wandered about the woods by the river’s brink all day, and then, when evening fell and the grey twilight spread its dusky robe upon the waters, she stretched her arms out to the silent river that had known her sorrow and her joy. And the old river had taken her into its gentle arms, and had laid her wear...

My first idea was that he had suddenly caught sight of some girl he knew, and I looked about to see who it was. Everybody in the lock seemed to have been suddenly struck wooden. They were all standing or sitting about in the most quaint and curious attitudes I have ever seen off a Japanese fan. All the girls were smiling. Oh, they did look so sweet! And all the fellows were frowning, and looking stern and noble.

The river—with the sunlight flashing from its dancing wavelets, gilding gold the grey-green beech-trunks, glinting through the dark, cool wood paths, chasing shadows o’er the shallows, flinging diamonds from the mill-wheels, throwing kisses to the lilies, wantoning with the weirs’ white waters, silvering moss-grown walls and bridges, brightening every tiny townlet, making sweet each lane and meadow, lying tangled in the rushes, peeping, laughing, from each inlet, gleaming gay on many a far sail, making soft the air with glory—is a golden fairy stream. But the river—chill and weary, with the ceaseless rain-drops falling on its brown and sluggish waters, with a sound as of a woman, weeping low in some dark chamber; while the woods, all dark and silent, shrouded in their mists of vapour, stand like ghosts upon the margin; silent ghosts with eyes reproachful, like the ghosts of evil actions, like the ghosts of friends neglected—is a spirit-haunted water through the land of vain regrets.

Sunlight is the life-blood of Nature. Mother Earth looks at us with such dull, soulless eyes, when the sunlight has died away from out of her. It makes us sad to be with her then; she does not seem to know us or to care for us. She is as a widow who has lost the husband she loved, and her children touch her hand, and look up into her eyes, but gain no smile from her.

We rowed on all that day through the rain, and very melancholy work it was. We pretended, at first, that we enjoyed it. We said it was a change, and that we liked to see the river under all its different aspects. We said we could not expect to have it all sunshine, nor should we...

One of us—I forget which one now, but I rather think it was myself—made a few feeble attempts during the course of the morning to work up the old gipsy foolishness about being children of Nature and enjoying the wet; but it did not go down well at all. That— “I care not for the rain, not I!” was so painfully evident, as expressing the sentiments of each of us, that to sing it seemed unnecessary.