Chamberlain’s obsequiousness, his exaggerated flattery, in these letters can be nauseating. “Your Majesty and your subjects,” he wrote, “have been born in a holy shrine,” and he informed Wilhelm that he had placed his portrait in his study opposite one of Christ by Leonardo so that while he worked he often paced up and down between the countenance of his Savior and his sovereign. His servility did not prevent Chamberlain from continually proffering advice to the headstrong, flamboyant monarch.
