Phillip Matijevic

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They are rather stilted and lifeless, like a beginning architect’s rough and careless sketches, and the human figures he sometimes added are so bad as to remind one of a comic strip. I find a note of my own made once after going through a portfolio of Hitler’s original sketches: “Few faces. Crude. One almost ghoulish face.” To Heiden, “they stand like tiny stuffed sacks outside the high, solemn palaces.”
The Rise and Fall of the Third Reich: A History of Nazi Germany
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