Neil Tredray

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It was like a Coke commercial with jet fuel and ecological wish-casting at its heart. In another, which the company called “Model Miners,” semidressed men and women strut about in headlamps in a coal mine, sensually brandishing jackhammers and picks, to the strains of “Sixteen Tons,” the American folk classic about miners sinking into debt.
Lights Out: Pride, Delusion, and the Fall of General Electric
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