Beloved (Beloved Trilogy, #1)

by Toni Morrison

although there was not a leaf on that farm that did not make her want to scream, it rolled itself out before her in shameless beauty. It never looked as terrible as it was and it made her wonder if hell was a pretty place too.

So Baby’s eight children had six fathers. What she called the nastiness of life was the shock she received upon learning that nobody stopped playing checkers just because the pieces included her children.

Risky, thought Paul D, very risky. For a used-to-be-slave woman to love anything that much was dangerous, especially if it was her children she had settled on to love. The best thing, he knew, was to love just a little bit; everything, just a little bit, so when they broke its back, or shoved it in a croaker sack, well, maybe you’d have a little love left over for the next one.

She did not tell them to clean up their lives or to go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure. She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it. “Here,” she said, “in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard.

And no, they ain’t in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don’t love your mouth. You got to love it.

Freeing yourself was one thing; claiming ownership of that freed self was another.

she got out of bed, skipped slowly to the door of the keeping room and announced to Sethe and Denver the lesson she had learned from her sixty years a slave and ten years free: that there was no bad luck in the world but whitepeople. “They don’t know when to stop,” she said, and returned to her bed,

Nobody could make it alone. Not only because trappers picked them off like buzzards or netted them like rabbits, but also because you couldn’t run if you didn’t know how to go. You could be lost forever, if there wasn’t nobody to show you the way.

He knew exactly what she meant: to get to a place where you could love anything you chose—not to need permission for desire—well now, that was freedom.

Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing.

If you can’t count they can cheat you. If you can’t read they can beat you.

I want the face that is mine they fall into the sea which is the color of the bread she has nothing in her ears if I had the teeth of the man who died on my face I would bite the circle around her neck bite it away I know she does not like it now there is room to crouch and to watch the crouching others it is the crouching that is now always now inside the woman with my face is in the sea a hot thing

This is an excerpt taken from a LONG narrative of Beloved's other-world recollections. - -- This particular section is, frankly, beyond my ability to appreciate from a literary standpoint. The disjointed thoughts, lack of punctuation, and chaotic imagery are just...too much.

“Tell me something, Stamp.” Paul D’s eyes were rheumy. “Tell me this one thing. How much is a nigger supposed to take? Tell me. How much?” “All he can,” said Stamp Paid. “All he can.”

far worse—was what Baby Suggs died of, what Ella knew, what Stamp saw and what made Paul D tremble. That anybody white could take your whole self for anything that came to mind. Not just work, kill, or maim you, but dirty you. Dirty you so bad you couldn’t like yourself anymore. Dirty you so bad you forgot who you were and couldn’t think it up. And though she and others lived through and got over it, she could never let it happen to her own.

Suddenly he remembers Sixo trying to describe what he felt about the Thirty-Mile Woman. “She is a friend of my mind. She gather me, man. The pieces I am, she gather them and give them back to me in all the right order. It’s good, you know, when you got a woman who is a friend of your mind.”

This passage demonstrates why Toni Morrison is a literary legend.

“Sethe,” he says, “me and you, we got more yesterday than anybody. We need some kind of tomorrow.”