Prentice Reid

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Ruskin often expressed his disappointment at the meagerness of workers’ demands—a poverty of imagination he thought ultimately traceable to the mechanization of labor. Considering only “their immediate interest,” unions, he lamented in The Crown of Wild Olive, never considered “the far more terrific power of [capital’s] appointment of the kind and the object of labor.”
The Enchantments of Mammon: How Capitalism Became the Religion of Modernity
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