She is very beautiful, with masses of hair so fair that it is almost white, and a quite extraordinary pallor. She uses no make-up, not even powder. There are two paintings of her in the Tate Gallery: one by Macmorris, called “Topaz in Jade”, in which she wears a magnificent jade necklace; and one by H. J. Allardy which shows her nude on an old horsehair-covered sofa that she says was very prickly. This is called “Composition”; but as Allardy has painted her even paler than she is, “Decomposition” would suit it better.
Shots fired, part two.
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