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I wondered. How many of us have come in and gotten our new clothes along with our folder full of brochures. A whole system had been set up, knowing there would be countless others like me: Welcome to the club, here’s your new uniform. In your folder you’ll find guidelines that will lay out the steps of trauma and recovery which may take your entire lifetime.
it bothered me that having a boyfriend and being assaulted should be related, as if I, alone, was not enough. At the hospital it had never occurred to me that it was important I was dating someone; I had only been thinking of me and my body. It should have been enough to say, I did not want a stranger touching my body. It felt strange to say, I have a boyfriend, which is why I did not want Brock touching my body. What if you’re assaulted and you didn’t already belong to a male? Was having a boyfriend the only way to have your autonomy respected?
I biked to get a burrito, drank from an expired coke can, sat wearing my helmet on a bench at the park. I took a photo of the burrito and posted it online. I received thirty-two likes. It was a joke with myself, playing tricks on the world. People believed I was enjoying my afternoon, when in reality I was about to face my rapist. How creepy it was that we could conceal these stories. How easy it was to pretend. The slivers we show, the mountains we hide.
Let’s go back to Mr. Hernandez’s film literature class, back to Jaws. Mr. Hernandez pointed out that we never actually saw the shark until about eighty minutes into the film. Instead we heard horror stories, glimpsed its sinister fin; primed to be scared, so that when the shark made its grand debut, we saw everything we’d been taught to see, the merciless, blood-seeking Jaws. Before the cop pulled Philando over, he’d reported the man resembled a robbery suspect, commenting on his wide-set nose. By the time the cop stepped up to the window, he didn’t see Philando, he saw everything he thought
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I am not sure exactly what healing is or looks like, what form it comes in, what it should feel like. I do know that when I was four I could not lift a gallon of milk, could not believe how heavy it was, that white sloshing boulder. I’d pull up a wooden chair to stand over the counter, pouring the milk with two shaking arms, wetting the cereal, spilling. Looking back I don’t remember the day I lifted it with ease. All I know is that now I do it without thinking, can do it one-handed, on the phone, in a rush. I believe the same rules apply, that one day I’ll be able to tell this story without
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I wrote this book because the world can be harsh and terrible and often unforgiving. I wrote because there were times I did not feel like living. I wrote because the court system is slow as a snail, and victims are forced to spend so much time fighting, rather than spending their days creating, drawing, cooking. I wrote to expose the brutality of entitlement, gender violence, and class privilege in our society. But I would be failing you if you walked away from this book untouched by humanity, without seeing what I saw: those thousands of handwritten letters, the green-lipped fish at the
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