“We are picky in Africa,” he says. “We don’t want garbage. We want fashion. We want quality. Not your garbage.” “Do people send garbage?” His mouth stretches into a mean, toothy smile. “Not if they want to be paid. They learn what we will take. We are not a dump.” That’s an opinion at odds with fashionable Western perceptions and critiques of the secondhand-clothing trade. Instead of viewing it as an exchange of goods driven by African demand, Western critics tend to view it as an exchange between the savvy and the ignorant. Take, for example, Whitney Mallett, a documentary filmmaker who wrote
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