Eleanor Oliphant Is Completely Fine

by Gail Honeyman

Even the circus freak side of my face—my damaged half—was better than the alternative, which would have meant death by fire. I didn’t burn to ashes. I emerged from the flames like a little phoenix. I ran my fingers over the scar tissue, caressing the contours. I didn’t burn, Mummy, I thought. I walked through the fire and I lived.

There are scars on my heart, just as thick, as disfiguring as those on my face. I know they’re there. I hope some undamaged tissue remains, a patch through which love can come in and flow out. I hope.

I longed to be outside in natural light and fresh air again. The gilded confines of the Beauty Hall were not my preferred habitat; like the chicken that had laid the eggs for my sandwich, I was more of a free-range creature.

I suppose one of the reasons we’re all able to continue to exist for our allotted span in this green and blue vale of tears is that there is always, however remote it might seem, the possibility of change.

I felt like a newly laid egg, all swishy and gloopy inside, and so fragile that the slightest pressure could break me.

These days, loneliness is the new cancer—a shameful, embarrassing thing, brought upon yourself in some obscure way. A fearful, incurable thing, so horrifying that you dare not mention it; other people don’t want to hear the word spoken aloud for fear that they might too be afflicted, or that it might tempt fate into visiting a similar horror upon them.

This is what I felt: the warm weight of his hands on me; the genuineness in his smile; the gentle heat of something opening, the way some flowers spread out in the morning at the sight of the sun. I knew what was happening. It was the unscarred piece of my heart. It was just big enough to let in a bit of affection. There was still a tiny bit of room left.