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press became particularly fixated on Dolours and Marian. They were dubbed the “Sisters of Terror” and depicted as hugely dangerous. To The Times, Dolours became a paradigm of political radicalism and countercultural instability, with her “enthusiasm for the wider concept of violent world revolution and support for the diverse aims of Che Guevara, the Black Panthers and the Palestinian guerrillas.” She
Say Nothing: A True Story of Murder and Memory in Northern Ireland
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