The Fountainhead

by Ayn Rand

Dominique Francon lived alone, that summer, in the great Colonial mansion of her father’s estate, three miles beyond the qua...

The old woman’s treatment of Dominique had the same reverent caution with which she handled the pieces of Venetian glass in the drawing-room cabinets.

Dominique had spent so many summers and winters, surrounding herself with people in order to feel alone, that the experiment of actual solitude was an enchantment to her and a betrayal into a weakness she had never allowed herself: the weakness of enjoying it.

The house stood alone amidst vast grounds, and the woods stretched beyond; there were no neighbors for miles.

Sometimes she started on foot from the house and walked for miles, setting herself no goal and no hour of return. Cars passed her on the road; the people of the quarry town knew her and bowed to her; she was considered the chatelaine of the countryside, as her mother had been long ago.

Some mornings, when she awakened in her bedroom, she heard the explosions of blasting at the granite quarry. She stretched, her arms flung back above her head on the white silk pillow, and she listened. It was the sound of destruction and she liked it.

She had lost the freedom she loved. She knew that a continuous struggle against the compulsion of a single desire was compulsion also, but it was the form she preferred to accept. It was the only manner in which she could let him motivate her life. She found a dark satisfaction in pain—because that pain came from him.

chatelaine

Peter Keating had never felt the need to formulate abstract convictions. But he had a working substitute. “A thing is not high if one can reach it; it is not great if one can reason about it; it is not deep if one can see its bottom”—this had always been his credo, unstated and unquestioned. This spared him any attempt to reach, reason or see; and it cast a nice reflection of scorn on those who made the attempt. So he was able to enjoy the work of Lois Cook.

He accepted the commission. After a few weeks he stopped feeling uneasy about it. Wherever he mentioned this new job, he met a respectful curiosity. It was an amused curiosity, but it was respectful. The name of Lois Cook was well known in the best drawing rooms he visited. The titles of her books were flashed in conversation like the diamonds in the speaker’s intellectual crown. There was always a note of challenge in the voices pronouncing them. It sounded as if the speaker were being very brave. It was a satisfying bravery; it never aroused antagonism. For an author who did not sell, her name seemed

strangely famous and honored. She was the standard-bearer of a vanguard of intellect and revolt. Only it was not quite clear to him just exactly what the revolt was against. Somehow, he preferred not to know.

She had always hated the streets of a city. She saw the faces streaming past her, the faces made alike by fear—fear as a common denominator, fear of themselves, fear of all and of one another, fear making them ready to pounce upon whatever was held sacred by any single one they met. She could not define the nature or the reason of that fear. But she had always felt its presence. She had kept herself clean and free in a single passion—to

to touch nothing. She had liked facing them in the streets, she had liked the impotence of their hatred, because she offered them nothing to be hurt.

She was not free any longer. Each step through the streets hurt her now. She was tied to him—and he was tied to every part of the city. He was a nameless worker doing some nameless job, lost in these crowds, dependent on them, to be hurt by any one of them, to be shared by her with the whole city. She hated the thought of him on the sidewalks people had used. She hated the thought of a clerk handing to him a package of cigarettes across a counter. She hated the elbows to...

On the desk before her lay the rotogravure section of the Sunday Chronicle. It was folded on the page that bore the drawing of the Enright House. She picked it up and held it out to him, her eyes narrowed in a silent question. He looked at the drawing, then his glance moved to her face and returned to the drawing. He let the paper drop back on the desk. “As independent as an insult, isn’t it?” he said. “You know, Ellsworth, I think the man who designed this should have committed suicide. A man who can conceive a thing as beautiful

this should never allow it to be erected. He should not want it to exist. But he will let it be built, so that women will hang diapers on his terraces, so that men will spit on his stairways and draw dirty pictures on his walls. He’s given it to them and he’s made it part of them, part of everything. He shouldn’t have offered it for men like you to look at. For men like you to talk about. He’s defiled his own work by the first word you’ll utter about it. He’s made himself worse than you are. You’ll be committing only a mean little indecency, but he’s committed a sacrilege. A man who knows what he must have known to produce this should not have been able to remain alive.”

Then Toohey spoke. He spoke at some length, standing up, leaning

and thus, my friends, what the architectural profession lacks is an understanding of

own social importance. This lack is due to a double cause: to the anti-social nature of our entire society and to your own inherent modesty. You have been conditioned to think of yourselves merely as breadwinners with no higher purpose than to earn your fees and the means of your own existence. Isn’t it time, my friends, to pause and to redefine your position in society? Of all the crafts, yours is the most important. Important, not in the amount of money you might make, not in the degree of artistic skill you might exhibit, but in the service you render to your fellow men. You are those who provide mankind’s shelter. Remember this and then look at our cities, at our slums, to realize the gigantic task awaiting you. But to meet this challenge you must be armed with a broader vision of yourselves and of your work. You are not hired lackeys of

the rich. You are crusaders in the cause of the underprivileged and the unsheltered. Not by what we are shall we be judged, but by those we serve. Let us stand united in this spirit. Let us—in all matters—be faithful to this new, broader, higher perspective. Let us organize—well, my f...

ROGER ENRIGHT HAD STARTED LIFE AS A COAL MINER IN PENNSYLVANIA. On his way to the millions he now owned, no one had ever helped him. “That,” he explained, “is why no one has ever stood in my way.”

assignation

Dominique column on the Enright house. Ouch!

AND THERE IT WILL STAND, AS A MONUMENT TO nothing but the egotism of Mr. Enright and of Mr. Roark. It will stand between a row of brownstone tenements on one side and the tanks of a gashouse on the other. This, perhaps, is not an accident, but a testimonial to fate’s sense of fitness. No other setting could bring out so eloquently the essential insolence of this building. It will rise as a mockery to all the structures of the city and to the men who built them. Our structures are meaningless and false; this building will make them more so. But the contrast will not be to its advantage. By creating the contrast it will have made itself a part of the great ineptitude,

most ludicrous part. If a ray of light falls into a pigsty, it is the ray that shows us the muck and it is the ray that is offensive. Our structures have the great advantage of obscurity and timidity. Besides, they suit us. The Enright House is bright and bold. So is a feather-boa. It will attract attention—but only to the immense audacity of Mr. Roark’s conceit. When this building is erected, it will be a wound on the face of our city. A wound, too, is colorful.” This appeared in the column “Your House” by Dominique Francon, a week after the party at the home of Kiki Holcombe.

“Well, my two explanations, for instance. There’s an interesting question there. What is kinder—to believe the best of people and burden them with a nobility beyond their endurance—or to see them as they are, and accept it because it makes them comfortable? Kindness being more important than justice, of course.”

“This is a pact, my dear. An alliance. Allies never trust each other, but that doesn’t spoil their effectiveness. Our motives might be quite opposite. In fact, they are. But it doesn’t matter. The result will be the same. It is not necessary to have a noble aim in common. It is necessary only to have a common enemy. We have.” “Yes.”

benefactors,

antithesis—but

She was tortured by peculiar things:

dialectics

twaddle.”

sonorous

Skinny Dix

What!? 😳🙄😳😂

nature allows no vacuum, so pain and Ellsworth Toohey drew each other. His rich, beautiful voice said to them: “It’s good to suffer. Don’t complain. Bear, bow, accept—and be grateful that God has made you suffer. For this makes you better than the people who are laughing and happy. If you don’t understand this, don’t try to understand. Everything bad comes from the mind, because the mind asks too many questions. It is blessed to believe, not to understand.

text: “What shall it profit a man, if he shall gain the whole world, and lose his own soul?” Ellsworth asked: “Then, in order to be truly wealthy, a man should collect souls?” The teacher was about to ask him what the hell did he mean, but controlled himself and asked what did he mean. Ellsworth would not elucidate.

Ellsworth lost interest in religion. He discovered socialism.

bourgeois

syllogism.

“One Small Voice” never seemed to say anything dangerously revolutionary, and seldom anything political. It merely preached sentiments with which most people felt in agreement: unselfishness, brotherhood, equality. “I’d rather be kind than right.” “Mercy is superior to justice, the shallow-hearted to the contrary notwithstanding.” “Speaking anatomically—and

and perhaps otherwise—the heart is our most valuable organ. The brain is a superstition.” “In spiritual matters there is a simple, infallible test: everything that proceeds from the ego is evil; everything that proceeds from love for others is good.” “Service is the only badge of nobility. I see nothing offensive in the conception of fertilizer as the highest symbol of man’s destiny: it is fertilizer that produces wheat and roses.” “The worst folk song is superior to the best symphony.” “A man braver than his brothers insults them by implication. Let us aspire to no virtue which cannot be shared.” “I have yet to see a genius or a hero who, if stuck with a burning match, would feel less pain than his undistinguished average brother.” “Genius is an exaggeration of dimension. So is elephantiasis. Both may be only a disease.” “We are all brothers under the skin—and

and I, for one, would be willing to skin humani...

proletariat—but

A few friends pointed out to Ellsworth Toohey that he seemed guilty of inconsistency; he was so deeply opposed to individualism, they said, and here were all these writers and artists of his, and every one of them was a rabid individualist. “Do you really think so?” said Toohey, smiling blandly.

immutable;

Of all the many titles bestowed upon him, he preferred one: Ellsworth Toohey, the Humanitarian.

staff loved him. They did not realize it and would have been shocked to apply such a term as love to their cold, unapproachable, inhuman boss. These were the words they used to describe Roark, these were the words they had been trained to use by all the standards and conceptions of their past; only, working with him, they knew that he was none of these things, but they could not explain, neither what he was nor what they felt for him. He did not smile at his employees, he did not take them out for drinks, he never inquired about their families, their love lives or their church attendance. He responded only to the essence of a man: to his creative capacity. In this office one had to be competent. There

were no alternatives, no mitigating considerations. But if a man worked well, he needed nothing else to win his employer’s benevolence: it was granted, not as a gift, but as a debt. It was granted, not as affection, but as recognition. It bred an immense feeling of self-respect within every man in that office.

Roark made mistakes in choosing his employees occasionally, not often; those whom he kept for a month became his friends for life. They did not call themselves friends; they did not praise him to outsiders; they did not talk about him. They

knew only, in a dim way, that it was not loyalty to him, but to the best within themselves.