Susan Rov

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Or you can intercut between characters. Think of the various plot threads in John Berendt’s Midnight in the Garden of Good and Evil or in Armistead Maupin’s Tales of the City. As each character meets an obstacle, we jump to a different character. It’s maddening if the reader is invested in just one character, but every jump moves us forward in time.
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Consider This: Moments...
 
by
Chuck Palahniuk
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