So if you were my student, I’d urge you to cut your narrative like a film editor cuts film. To do this, you can use a repeating chorus: “The first rule of fight club is you don’t talk about…” Or, “Sorry, Mom. Sorry, God.” Thus cuing the reader with a sort-of touchstone that indicates: We’re about to jump to something different. Or you can keep the action flowing and increase the momentum of the energy by using a regular series of unlikely conjunctions. If you were my student I’d tell you to listen to a child. Listen to someone who’s terrified of being interrupted and has developed tricks for
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