Cameron

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Sure, there’s a smidgen of tension. Who does what next? But everything is so summarized the reader hasn’t had the pleasure of discovering anything. The payoff is in the first sentence. We don’t know what the barn looks like, or smells like. We’ve no idea how Lilla feels, if her shoes hurt, or if she’s been waiting tables all day. We’re just—blam—dropped into the action.
Consider This: Moments in My Writing Life After Which Everything Was Different
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