The Hunger Games (The Hunger Games, #1)

by Suzanne Collins

So instead of acknowledging applause, I stand there unmoving while they take part in the boldest form of dissent they can manage. Silence. Which says we do not agree. We do not condone. All of this is wrong.

Then something unexpected happens. At least, I don’t expect it because I don’t think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take Prim’s place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.

To this day, I can never shake the connection between this boy, Peeta Mellark, and the bread that gave me hope, and the dandelion that reminded me that I was not doomed.

Madge walks straight to me. She is not weepy or evasive, instead there’s an urgency about her tone that surprises me. “They let you wear one thing from your district in the arena. One thing to remind you of home. Will you wear this?” She holds out the circular gold pin that was on her dress earlier.

A kind Peeta Mellark is far more dangerous to me than an unkind one. Kind people have a way of working their way inside me and rooting there. And I can’t let Peeta do this. Not where we’re going. So I decide, from this moment on, to have as little as possible to do with the baker’s son.

Peeta rolls his eyes at Haymitch. “She has no idea. The effect she can have.”

Real

No one can help but admire your spirit.” My spirit. This is a new thought. I’m not sure exactly what it means, but it suggests I’m a fighter. In a sort of brave way. It’s not as if I’m never friendly. Okay, maybe I don’t go around loving everybody I meet, maybe my smiles are hard to come by, but I do care for some people.

To hate the boy from District 1, who also appears so vulnerable in death, seems inadequate. It’s the Capitol I hate, for doing this to all of us.

Slowly, one stem at a time, I decorate her body in the flowers. Covering the ugly wound. Wreathing her face. Weaving her hair with bright colors.

I know I’ll never marry, never risk bringing a child into the world. Because if there’s one thing being a victor doesn’t guarantee, it’s your children’s safety. My kids’ names would go right into the reaping balls with everyone else’s. And I swear I’ll never let that happen.

I realize what else unsettled me about the mutts. The green eyes glowering at me are unlike any dog or wolf, any canine I’ve ever seen. They are unmistakably human.

“You’re not leaving me here alone,” I say. Because if he dies, I’ll never go home, not really. I’ll spend the rest of my life in this arena trying to think my way out.

I want to tell him that he’s not being fair. That we were strangers. That I did what it took to stay alive, to keep us both alive in the arena. That I can’t explain how things are with Gale because I don’t know myself. That it’s no good loving me because I’m never going to get married anyway and he’d just end up hating me later instead of sooner. That if I do have feelings for him, it doesn’t matter because I’ll never be able to afford the kind of love that leads to a family, to children. And how can he? How can he after what we’ve just been through?