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He was a man of insatiable appetites—for cigarettes, for scotch, for company, for great writing, and, above all, for conversation.
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Aleesha John
Christopher’s copy was due early that afternoon. Pre-lunch tumblers of scotch were followed by a couple of glasses of wine during the meal and then a couple of post-meal cognacs. That was his intake. After stumbling back to the office, we set him up at a rickety table and an old Olivetti, and in a symphony of clacking he produced a 1,000-word column of near perfection in under half an hour.
Christopher was not just brave in facing the illness that took him but brave in words and thought.
He did not mind landing outside the cozy cocoon of conventional liberal wisdom, his curious, pro-war stance before the invasion of Iraq being but one example. Friends distanced themselves from him during those unlit days.
His wife, Carol, a writer, film-maker, and legendary hostess, set a high bar in how to handle a flower like Christopher, both when he was healthy and during his more weakened days. An invitation to their vast apartment in the Wyoming, on Columbia Road in Washington, D.C., was a prized reward for being a part of their circle
in the last decade he wrote best-sellers, including his well-received, best-selling memoir, Hitch-22, that finally put some money into his family’s pocket. In the last weeks of his life, he was told that an asteroid had been named after him.
To his friends, Christopher will be remembered for his elevated but inclusive humor and for a staggering, almost punishing memory that held up under the most liquid of late-night conditions.
My father had died, and very swiftly, too, of cancer of the esophagus. He was seventy-nine. I am sixty-one. In whatever kind of a “race” life may be, I have very abruptly become a finalist.
I can’t see myself smiting my brow with shock or hear myself whining about how it’s all so unfair: I have been taunting the Reaper into taking a free scythe in my direction and have now succumbed to something so predictable and banal that it bores even me.
I had real plans for my next decade and felt I’d worked hard enough to earn it. Will I really not live to see my children married? To watch the World Trade Center rise again? To read—if not indeed to write—the obituaries of elderly villains like Henry Kissinger and Joseph Ratzinger? But I understand this sort of non-thinking for what it is: sentimentality and self-pity.
To the dumb question “Why me?” the cosmos barely bothers to return the reply: Why not?
So here’s the wager: You stick around for a bit, but in return we are going to need some things from you. These things may include your taste buds, your ability to concentrate, your ability to digest, and the hair on your head. This certainly appears to be a reasonable trade.
I feel upsettingly denatured. If Penélope Cruz were one of my nurses, I wouldn’t even notice. In the war against Thanatos, if we must term it a war, the immediate loss of Eros is a huge initial sacrifice.
You haven’t lived, if I can put it like this, until you have read contributions such as this on the websites of the faithful: Who else feels Christopher Hitchens getting terminal throat cancer [sic] was God’s revenge for him using his voice to blaspheme him? Atheists like to ignore FACTS. They like to act like everything is a “coincidence.” Really? It’s just a “coincidence” [that] out of any part of his body, Christopher Hitchens got cancer in the one part of his body he used for blasphemy? Yeah, keep believing that, Atheists. He’s going to writhe in agony and pain and wither away to nothing
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And even if my voice goes before I do, I shall continue to write polemics against religious delusions, at least until it’s hello darkness my old friend. In which case, why not cancer of the brain? As a terrified, half-aware imbecile, I might even scream for a priest at the close of business, though I hereby state while I am still lucid that the entity thus humiliating itself would not in fact be “me.” (Bear this in mind, in case of any later rumors or fabrications.)
I sympathize afresh with the mighty Voltaire, who, when badgered on his deathbed and urged to renounce the devil, murmured that this was no time to be making enemies.
Prayer: A petition that the laws of nature be suspended in favor of the petitioner; himself confessedly unworthy.
The man who prays is the one who thinks that god has arranged matters all wrong, but who also thinks that he can instruct god how to put them right.
“Until you have done something for humanity,” wrote the great American educator Horace Mann, “you should be ashamed to die.”
It made me wonder if perhaps there was room for a short handbook of cancer etiquette.
It’s no fun to appreciate to the full the truth of the materialist proposition that I don’t have a body, I am a body.
Deprivation of the ability to speak is more like an attack of impotence, or the amputation of part of the personality. To a great degree, in public and private, I “was” my voice.
To my writing classes I used later to open by saying that anybody who could talk could also write.
For me, to remember friendship is to recall those conversations that it seemed a sin to break off: the ones that made the sacrifice of the following day a trivial one.
My chief consolation in this year of living dyingly has been the presence of friends. I can’t eat or drink for pleasure anymore, so when they offer to come it’s only for the blessed chance to talk.
what do I want back? In the most beautiful apposition of two of the simplest words in our language: the freedom of speech.
one thing that grave illness does is to make you examine familiar principles and seemingly reliable sayings. And there’s one that I find I am not saying with quite the same conviction as I once used to: In particular, I have slightly stopped issuing the announcement that “whatever doesn’t kill me makes me stronger.”
In the remainder of his life, however, Nietzsche seems to have caught an early dose of syphilis, very probably during his first ever sexual encounter,
It occurred in 1889, and we know that in 1887 Nietzsche had been powerfully influenced by his discovery of the works of Dostoyevsky. There appears to be an almost eerie correspondence between the episode in the street and the awful graphic dream experienced by Raskolnikov on the night before he commits the decisive murders in Crime and Punishment. The nightmare, which is quite impossible to forget once you have read it, involves the terribly prolonged beating to death of a horse.
It’s probably a merciful thing that pain is impossible to describe from memory. It’s also impossible to warn against.
Only two things rescued me from betraying myself and letting go: a wife who would not hear of me talking in this boring and useless way, and various friends who also spoke freely. Oh, and the regular painkiller.
I am typing this having just had an injection to try to reduce the pain in my arms, hands, and fingers. The chief side effect of this pain is numbness in the extremities, filling me with the not irrational fear that I shall lose the ability to write. Without that ability, I feel sure in advance, my “will to live” would be hugely attenuated. I often grandly say that writing is not just my living and my livelihood but my very life, and it’s true.
Always prided myself on my reasoning faculty and my stoic materialism. I don’t have a body, I am a body.
Only OK if I say something objective and stoical: Ian remarking that a time might come when I’d have to let go: Carol asking about Rebecca’s wedding “Are you afraid you won’t see England again?” Also, ordinary expressions like “expiration date” … will I outlive my Amex? My driver’s license? People say—I’m in town on Friday: will you be around? WHAT A QUESTION!
If I convert it’s because it’s better that a believer dies than that an atheist does.
From Alan Lightman’s intricate 1993 novel Einstein’s Dreams; set in Berne in 1905: With infinite life comes an infinite list of relatives. Grandparents never die, nor do great-grandparents, great-aunts … and so on, back through the generations, all alive and offering advice. Sons never escape from the shadows of their fathers. Nor do daughters of their mothers. No one ever comes into his own … Such is the cost of immortality. No person is whole. No person is free.
“How good it is to be us,” he would say in his perfect voice.
The new world lasted nineteen months. During this time of what he called “living dyingly,” he insisted ferociously on living, and his constitution, physical and philosophical, did all it could to stay alive.
Without ever deceiving himself about his medical condition, and without ever allowing me to entertain illusions about his prospects for survival, he responded to every bit of clinical and statistical good news with a radical, childlike hope. His will to keep his existence intact, to remain engaged with his preternatural intensity, was spectacular.
Christopher’s charisma never left him, not in any realm: not in public, not in private, not even in the hospital. He made a party of it, transforming the sterile, chilly, neon-lighted, humming and beeping and blinking room into a study and a salon. His artful conversation never ceased.
I miss, as his readers must, his writer’s voice, his voice on the page. I miss the unpublished Hitch: the countless notes he left for me in the entryway, on my pillow, the emails he would send while we sat in different rooms in our apartment or in our place in California and the emails he sent when he was on the road.
His last words of the unfinished fragmentary jottings at the end of this little book may seem to trail off, but in fact they were written on his computer in bursts of energy and enthusiasm as he sat in the hospital using his food tray for a desk.
He told an editor friend waiting for an article, “Sorry for the delay, I’ll be back home soon.” He told me he couldn’t wait to catch up on all the movies he had missed and to see the King Tut exhibition in Houston, our temporary residence. The end was unexpected.