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We had decided to give Eric the Slav the day off—he had burnt his hand holding the Mole Richardson 750 soft light the night before, yelling out in pain and dropping his other hand—the one holding the microphone—into frame at the precise moment we were shooting the cum shot. (Miking this moment made no sense, given that the sound of sperm fleeing the penis is not a dynamic one.)
Barry Sonnenfeld, Call Your Mother: Memoirs of a Neurotic Filmmaker
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