Daisy Duitsman

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is not a comment on America as a materialistic country but as an idealistic one, one that has turned money into a means of retrieving a dream. There is nothing crass here, or the crassness is so mingled with the dream that it becomes very difficult to differentiate between the two. In the end, the best ideals and the most sordid of realities all come together.
Reading Lolita in Tehran: A Memoir in Books
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