As I listened to the old man reminisce, about Dwight Eisenhower and Sam Rayburn, Dean Acheson and Everett Dirksen, it was hard not to get swept up in the hazy portrait he painted, of a time before twenty-four-hour news cycles and nonstop fund-raising, a time of serious men doing serious work. I had to remind myself that his fondness for this bygone era involved a certain selective memory: He had airbrushed out of the picture the images of the Southern Caucus denouncing proposed civil rights legislation from the floor of the Senate; the insidious power of McCarthyism; the numbing poverty that
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