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function of art, would be appropriated by business, by government, by opportunists in order to control, to limit, to malign the human spirit. Now I have, through my own carelessness and perhaps my own ambition, destroyed this last great hope of civilization—a singular work by a man both completely outside and completely inside this travesty we call popular culture, a man who, because of his own struggles, his own alienation, his race maybe, was able to show us ourselves from outside of ourselves: the de Tocqueville of our collective unconscious. The thing Jung wrote about has been commandeered
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