Kristi Marshae

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24 We might conclude, then, that attending to the ruined boathouse on the fringes of Deering’s estate, forgotten as the house and much of the grounds underwent restoration for a wider tourist public, was both an act of claiming a liminal space in a place “without room for us” and an opportunity to pay respects to a hallowed “gay ground” as it was in the process of being restored, its elusive queer history under threat of erasure.
Cruising the Dead River: David Wojnarowicz and New York's Ruined Waterfront
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