Within poetic naturalism we can distinguish among three different kinds of stories we can tell about the world. There is the deepest, most fundamental description we can imagine—the whole universe, exactly described in every microscopic detail. Modern science doesn’t know what that description actually is right now, but we presume that there at least is such an underlying reality. Then there are “emergent” or “effective” descriptions, valid within some limited domain. That’s where we talk about ships and people, macroscopic collections of stuff that we group into individual entities as part of
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