Anmol Sarin

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As Peter Biskind observes, for all the attempt at “balance,” and “despite the preference of [the PBS series] for doves over hawks, it is the right, not the left, that has set this film’s political agenda,” in conformity to elite opinion. Biskind concludes his review of the PBS series by stating: “The truth is that the war was a crime, not a tragedy. The tragedy is that this film lacks the conviction to say so.”
Manufacturing Consent: The Political Economy of the Mass Media
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