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We had flannelette sheets, like children's, and army-issue blankets, old ones that still said U.S.
Guns were for the guards, specially picked from the Angels.
They were objects of fear to us, but of something else as well. If only they would look. If only we could talk to them. Something could be exchanged, we thought, some deal made, some tradeoff, we still had our bodies. That was our fantasy.
They've removed anything you could tie a rope to.
This is the kind of touch they like: folk art, archaic, made by women, in their spare time, from things that have no further use. A return to traditional values. Waste not want not. I am not being wasted. Why do I want?
Thinking can hurt your chances, and I intend to last.
who was in love with either/or.
Everything except the wings around my face is red: the color of blood, which defines us.
The white wings too are prescribed issue; they are to keep us from seeing, but also from being seen.
I wonder whether or not the Commander's Wife is in the sitting room. She doesn't always sit. Sometimes I can hear her pacing back and forth, a heavy step and then a light one, and the soft tap of her cane on the dusty-rose carpet.
Martha's dress,
She puts on the veil to go outside, but nobody much cares who sees the face of a Martha.
Go to the Colonies, Rita said. They have the choice.
Stillborn, it was. Or, Stabbed her with a knitting needle, right in the belly. Jealousy, it must have been, eating her up. Or, tantalizingly, It was toilet cleaner she used. Worked like a charm, though you'd think he'd of tasted it. Must've been that drunk; but they found her out all right.
catkins;
Or knitting scarves, for the Angels at the front lines. I can hardly believe the Angels have a need for such scarves;
She doesn't speak to me, unless she can't avoid it. I am a reproach to her; and a necessity.
Even now that there is no real money anymore, there's still a black market.
Sometimes when I couldn't find any I would watch the Growing Souls Gospel Hour, where they would tell Bible stories for children and sing hymns. One of the women was called Serena Joy. She was the lead soprano. She was ash blond, petite, with a snub nose and huge blue eyes which she'd turn upwards during hymns. She could smile and cry at the same time, one tear or two sliding gracefully down her cheek, as if on cue, as her voice lifted through its highest notes, tremulous, effortless. It was after that she went on to other things. The woman sitting in front of me was Serena Joy. Or had been,
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Perhaps he is an Eye.
"Blessed be the fruit," she says to me, the accepted greeting among us. "May the Lord open," I answer, the accepted response.
"The war is going well, I hear," she says. "Praise be," I reply. "We've been sent good weather." "Which I receive with joy." "They've defeated more of the rebels, since yesterday." "Praise be," I say. I don't ask her how she knows. "What were they?" "Baptists. They had a stronghold in the Blue Hills. They smoked them out." "Praise be." Sometimes I wish she would just shut up and let me walk in peace. But I'm ravenous for news, any kind of news; even if it's false news, it must mean something.
Women were not protected then.
possibilities of the word undone. These women could be undone; or not. They seemed
We were a society dying, said Aunt Lydia, of too much choice.
I would like to believe this is a story I'm telling. I need to believe it. I must believe it. Those who can believe that such stories are only stories have a better chance. If it's a story I'm telling, then I have control over the ending. Then there will be an ending, to the story, and real life will come after it. I can pick up where I left off. It isn't a story I'm telling.
Gender Treachery.
Newspapers and coffee, on Sunday mornings, before she was born. There were still newspapers, then. We used to read them in bed.
It's French, he said. From m'aidez. Help
We lived, as usual, by ignoring. Ignoring isn't the same as ignorance, you have to work at it. Nothing changes instantaneously:
We were the people who were not in the papers. We lived in the blank white spaces at the edges of print. It gave us more freedom. We lived in the gaps between the stories.
I step into the water, lie down, let it hold me. The water is soft as hands. I close my eyes, and she's there with me, suddenly, without warning, it must be the smell of the soap. I put my face against the soft hair at the back of her neck and breathe her in, baby powder and child's washed flesh and shampoo, with an undertone, the faint scent of urine. This is the age she is when I'm in the bath. She comes back to me at different ages. This is how I know she's not really a ghost. If she were a ghost she would be the same age always.
Blessed are the meek. She didn't go on to say anything about inheriting the earth.
I used to think of my body as an instrument, of pleasure, or a means of transportation, or an implement for the accomplishment of my will. I could use it to run, push buttons of one sort or another, make things happen. There were limits, but my body was nevertheless lithe, single, solid, one with me. Now the flesh arranges itself differently. I'm a cloud, congealed around a central object, the shape of a pear, which is hard and more real than I am and glows red within its translucent wrapping. Inside it is a space, huge as the sky at night and dark and curved like that, though black-red rather
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Sanity is a valuable possession; I hoard it the way people once hoarded money. I save it, so I will have enough, when the time comes.
The chances are one in four, we learned that at the Center. The air got too full, once, of chemicals, rays, radiation, the water swarmed with toxic molecules, all of that takes years to clean up, and meanwhile they creep into your body, camp out in your fatty cells. Who knows, your very flesh may be polluted, dirty as an oily beach, sure death to shore birds and unborn babies. Maybe a vulture would die of eating you. Maybe you light up in the dark, like an old-fashioned watch. Deathwatch. That's a kind of beetle, it buries carrion.
But there's something missing in them, even the nice ones. It's like they're permanently absent-minded, like they can't quite remember who they are. They look at the sky too much. They lose touch with their feet. They aren't a patch on a woman except they're better at fixing cars and playing football, just what we need for the improvement of the human race, right?
Now, Mother, I would say. Let's not get into an argument about nothing. Nothing, she'd say bitterly. You call it nothing. You don't understand, do you. You don't understand at all what I'm talking about.
But she'll never be sent to the Colonies, she'll never be declared Unwoman. That is her reward.
It's impossible to say a thing exactly the way it was, because what you say can never be exact, you always have to leave something out, there are too many parts, sides, crosscurrents, nuances; too many gestures, which could mean this or that, too many shapes which can never be fully described, too many flavors, in the air or on the tongue, half-colors, too many.
But remember that forgiveness too is a power. To beg for it is a power, and to withhold or bestow it is a power, perhaps the greatest.
It was after the catastrophe, when they shot the president and machine-gunned the Congress and the army declared a state of emergency. They blamed it on the Islamic fanatics, at the time.
I'll take care of it, Luke said. And because he said it instead of her, I knew he meant kill. That is what you have to do before you kill, I thought. You have to create an it, where none was before. You do that first, in your head, and then you make it real. So that's how they do it, I thought. I seemed never to have known that before.
Nevertheless it hurts me to tell it over, over again. Once was enough: wasn't once enough for me at the
and sordid, this limping and mutilated story, because after all I want you to hear it, as I will hear yours too if I ever get the chance, if I meet you or if you escape, in the future or in heaven or in prison or underground, some other place. What they have in common is that they're not here. By telling you anything at all I'm at least believing in you, I believe you're there, I believe you into being. Because I'm telling you this story I will your existence. I tell, therefore you are.