The Seven Husbands of Evelyn Hugo

by Taylor Jenkins Reid

You do not know how fast you have been running, how hard you have been working, how truly exhausted you are, until someone stands behind you and says, “It’s OK, you can fall down now. I’ll catch you.”

Guilt is a feeling I’ve never made much peace with. I find that when it rears its head, it brings an army. When I feel guilty for one thing, I start to see all the other things I should feel guilty for.

Celia may have left me in a huff, but it was a death by a thousand cuts. I hurt her with these tiny scratches, day after day. And then I got surprised when it left a wound too big to heal.

“And to anyone tempted to kiss the TV tonight, please don’t chip your tooth.”

“But if you have to go, then go. Go if it hurts. Go if it’s time. Just go knowing you were loved, that I will never forget you, that you will live in everything Connor and I do. Go knowing I love you purely, Harry, that you were an amazing father. Go knowing I told you all my secrets. Because you were my best friend.”

media are going to tell whatever story they want to tell. They always have. They always will.

When you write the ending, Monique, make sure it’s clear that I don’t love this apartment, that I don’t care about all my money, that I couldn’t give a rat’s ass if people think I’m a legend, that the adoration of millions of people never warmed my bed.

“Nobody deserves anything,” Evelyn says. “It’s simply a matter of who’s willing to go and take it for themselves.

The tears that come out of me feel as if they were decades in the making. It feels as if some old version of me is leaking out, letting go, saying good-bye in the effort of making room for a new me. One that is stronger and somehow both more cynical about people and also more optimistic about my place in the world.

When you dig just the tiniest bit beneath the surface, everyone’s love life is original and interesting and nuanced and defies any easy definition.