Livingstone had said sympathy was no substitute for action. That was an essential brick in Bosch’s wall. He had built himself as a man of action and, at the moment when the integrity of his life’s work had been called into question by a man on death row, he had chosen to turn his sympathy for Elizabeth Clayton into action. He understood that but was unsure if anyone else would. They would see other motives. Elizabeth would as well, and that was why he had chosen not to see her.
