Hyperion (Hyperion Cantos, #1)
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Belief in one’s identity as a poet or writer prior to the acid test of publication is as naive and harmless as the youthful belief in one’s immortality…and the inevitable disillusionment is just as painful.
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Words bend our thinking to infinite paths of self-delusion, and the fact that we spend most of our mental lives in brain mansions built of words means that we lack the objectivity necessary to see the terrible distortion of reality which language brings.
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Most of us, I hope, have had some child or spouse or friend like Beatrice, someone who by his very nature, his seemingly innate goodness and intelligence, makes us uncomfortably conscious of our lies when we lie.
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“Dad,” said Rachel, “I’m going to ask you a question I’ve asked about a million times since I was two. Do you believe in God?” Sol had not smiled. He had no choice but to give her the answer he had given her a million times. “I’m waiting to,” he said.
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She had always felt that the essence of human experience lay not primarily in the peak experiences, the wedding days and triumphs which stood out in the memory like dates circled in red on old calendars, but, rather, in the unself-conscious flow of little things—the weekend afternoon with each member of the family engaged in his or her own pursuit, their crossings and connections casual, dialogues imminently forgettable, but the sum of such hours creating a synergy which was important and eternal.