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Before I knew what possessed me, I started to improvise on “Chopsticks” until I stopped and played a chaconne composed recently in the old style. I played it beautifully because I was playing it for him, because it suited autumn, because it spoke to the old house, to the boy in him still, and to the years between us I was hoping to erase.
Perhaps, says the genius, music doesn’t change us that much, nor does great art change us. Instead, it reminds us of who, despite all our claims or denials, we’ve always known we were and are destined to remain. It reminds us of the mileposts we’ve buried and hidden and then lost, of the people and things that mattered despite our lies, despite the years. Music is no more than the sound of our regrets put to a cadence that stirs the illusion of pleasure and hope. It’s the surest reminder that we’re here for a very short while and that we’ve neglected or cheated or, worse yet, failed to live
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