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She breathed deeply of the scent of decaying fiction, disintegrating history, and forgotten verse, and she observed for the first time that a room full of books smelled like dessert: a sweet snack made of figs, vanilla, glue, and cleverness.
She’d thought love had something to do with happiness, but it turned out they were not even vaguely related. Love was closer to a need, no different from the need to eat, to breathe.
Maybe she could not bring forth the bridge because there was nothing left to find. Maybe she had found everything the world had to offer her: a notion very like despair.
She wanted to start a website, a public-awareness campaign, a newsletter, to get the word out that if you were a woman and you had a child, you lost everything, you would be held hostage by love: a terrorist who would only be satisfied when you surrendered your entire future.
His license plate was a joke or boast, nosferatu, German word for vampire—an acknowledgment, at some level, of what he was. But in the stories, even vampires crawled back to their coffins and shut the lid now and then.
The difference between childhood and adulthood, Vic had come to believe, was the difference between imagination and resignation. You traded one for the other and lost your way.
She had said she could bring her bridge into this world but that in some way it also existed only in her mind. It sounded like delusion until you remembered that people made the imaginary real all the time: taking the music they heard in their head and recording it, seeing a house in their imagination and building it. Fantasy was always only a reality waiting to be switched on.
He believed in his own decency with all his heart. So it was with every true monster, Vic supposed.
Vic felt very easy in her mind. She was not sure there was much of anything left in there now, except for love, and that was enough.