As we have seen, our interpretation of an event is like the frame of a painting. Put a Rembrandt in one sort of frame, and it will look hideous; switch it to another, and it will look sublime. The same is true of the setbacks we experience. Put a setback in one psychological frame, and we will find it upsetting; put it in another, and we may discover, much to our amazement, that we enjoy dealing with that setback.
